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I was born in Maryville, Missouri where I lived until my family moved to Iowa when I was seven years old.  Eventually, I attended the University of Iowa and studied studio arts.  Then I moved to St. Paul, Minnesota where I received a four-year scholarship at the College of St. Catherine (part of the University of St. Thomas) in studio arts.  It never occurred to me that one day I would turn my artistic talents to doll-making.

Many years later my mother asked me to take lessons with her to learn how to make a porcelain doll.  A few modern reproductions later I was hooked!  Something important was happening as I crafted those dolls; I became aware not only of how each sculptor perceived human anatomy but also of the 'soul' each doll seemed to possess.  This was something I'd never seen in 'store-bought' dolls.  I purchased a Contemporary Doll magazine and saw more dolls from some of these same artists as well as my early heroes Paul Crees and Peter Coe.

 In 1994 I moved to an English country village and after settling in, tried my hand at sculpting.  It was three years later that I had my first award-winning doll and I have won top international awards each year until 2004 when I stopped entering competitions..  Amongst the awards are best of show (professional) at the KM Productions convention in California in both 2002 and 2003.

 I continue to create dolls in porcelain because I feel there is so much unexplored potential in this tried and proven material as a medium.  Fired paper using porcelain as the clay base is my current interest.  It has a different texture from the normal use of porcelain and accepts paint differently.  I like to portray a 1920's-1930's long slender elegant look which would have suited my grandmother had she not lived a difficult life in the 'dust bowl' with a family of seven children.

 Since I moved to England I have become acutely aware of the cultural behavior of American society and how we perceive ourselves and how other cultures perceive us.  These differences are promoted through our dolls.  I want my dolls to reflect my American attitudes and a way of life Americans expect and strive for.

 In addition to various exhibitions, conventions, and speaking engagements, I was chairman of the Southern Belles chapter of the Global Doll Society 2002-2003.  The chapter has 75 members.  I have written articles for several publications and am proud to be a member of ODACA and the BDA.  Life just keeps getting better!

Linda Claire Willins

 

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Last modified: 10/16/05